Sunday, 22 February 2015

Nairobi series - Nairobi National Museum

The hotel front desk manager highly recommended that I should visit this Museum. It's just a short ride from the hotel and the pick up and drop off cost Ksh 1000 for a ~1 km drive (each way). I have no idea if this is a fair price or not.

This is an interesting institution: almost empty on a Sunday, hardly any locals and only a small band of white Caucasians in suit and tie looking very bored with their guide. The entrance fee is Ksh 1,200 without the snake pit. It was far too hot to contemplate going outside to find some snakes. The young staff at the reception were keen to make conversation: "Where do you come from?" "How long have you been at Nairobi?", but the prevailing ambiance was one of lethargy. The security guards sitting outside the entrance door were chatting among themselves and were inactive the whole time.

There are 5 main sections: Human Origins, Hall of Mammals, Birds of Kenya, Kenya History and Circles of Life. Apart from the stuffed birds of which I have no interest, the other 4 sections can easily take up 3 hours of viewing time. The illustrations are generally good, so there is no need for a guide. Besides, I like my own pace and my own space.


The entrance. It was baking hot.
Hall of Kenya. A lovely display of gourds.
The Black Skull, 2.5 million years old


It sounds a bit macabre to look at skulls, however ancient they are. I cannot say that I found the skulls or the skeletons of the Turkana Boy jaw dropping, but it is enlightening to see at first hand human evolution. The Black Skull gets its name from the blue-black sheen it acquired from the minerals surrounding it at Lake Turkana.

Much of the section on Kenyan history was devoted to the colonial era: land alienation (basically land grab by the white settlers), colonial exploitation, local resistance and eventually independence in 1963. 

One of the objects that symbolized colonial oppression was the Kipande, introduced shortly after the outbreak of WWI for Africans to wear around their necks, containing their registration papers. The Europeans were exempt because they had passports. To the Africans, the kipande was an oppressive badge of slavery since failure to produce it when required attracted instant punishment and even incarceration. Considering that only recently in the 21st century did the British debated about carrying an ID card as an infringement of civil liberty, the same sentiments clearly did not apply to the Africans.


Kipande: the metal container for registration papers
The politics were actually quite depressing, even if one has an open mind about imperialism. Coming from an ex British colony, I had an innate revulsion about colonization: the politicians, the missionaries, the traders, and all those self-important civil servants who perpetuated white supremacy at its worst.

The learning part of the visit came from the section on Circles of Life.
A black & white photo of a native of Turkana.
Note the skin decoration, the equivalent of the modern day tattoo.
A baby carrier
A mask worn by healers to transform
themselves into the spirits of the departed ancestors
The medicinal paraphernalia of a Thakara elder.
The large beehive was used to store the medicine man's items 
Aprons worn by women to cover their private body parts.
Clutch bags they are not.
A circumcision mask worn during the rite of passage ceremony
A Massai warrior outfit
Wristlets
Increasingly with the advent of men wearying jewelry and bracelets, I see the influence of the African tribal art popularized among the metrosexuals. 

I left the Museum in the blazing sun. The dry heat drew home the fact that there is currently a drought in Kenya and according to the "Standard" newspaper there are 1.7 m people in Kenya facing starvation. On the way back to the hotel, the driver told me that he has 3 cows in up country and the drought means that there is no grazing for the animals, forcing him to buy feed.

Saturday, 21 February 2015

Nairobi Series - Nairobi Gallery

Nairobi is a dangerous city - dangerous in the sense that I have been prohibited to walk anywhere on my own for my own safety. Should I risk it? Tempting. Dare I risk it? Probably not. Should I live within the cocoon of the top hotel in this city, where Presidents of African countries come and go with their entourage, within the confines of security gates where vehicles are searched and personal effects X-rayed, and be completely isolated from the daily life of the ordinary people? I have no answer because I don't have the courage to go out and risk it on my own.

Today, I ordered a car to take me to the Nairobi Gallery. It was another opportunity to experience the choking traffic congestion in the city. Often, the traffic simply isn't moving at all. I had the worst of it when it took 1.5 hours to travel less than 20 km. But I was told that I was lucky because the journey could easily have taken up to 3 hours. Patience is a virtue in this country.

The Gallery is a bungalow located near the roundabout of Kenyatta Avenue and Uhuru Highway. If you blink you would have gone past it in all the traffic. The driver certainly did not know the place, and he had to ask when he filled up at the petrol station where this gallery was. He is more used to taking expats like me to the shopping malls.

It houses the collection of African artifacts of the late Joseph Murumbi, once Vice President of Kenya and his wife Sheila Murumbi, a British woman. Murumbi was an avid art collector and the Gallery testifies to the range of his tastes in tribal artifacts collected from all over Africa.


Entrance to the Murumbi Gallery, Nairobi
As this is my first introduction to African artifacts, there was much to learn and absorb, and the young guide who escorted me around the rooms gave a good account of the collections. He was wearing a beaded bracelet of the Kenyan flag: black for his people, white for peace, red for the blood (shed during the independence) and green for the land.


A room reconstructed with furniture from Murumbi's former residence
Here are some of my favorites. The photos don't do the objects justice because I lack the skill to take photos of objects behind glass cases.


A nobleman's ebony chair inlaid with bones and string insets
A collection of African spoons mostly modeled
after the shape of women whose
domain is in the kitchen
A thumb piano that makes beautiful sounds


A Maasai shield made from buffalo hide
A necklace made from wild asparagus shoots


A cloak that completely hides the dancer
(I should have paid attention to its origin)
Head rests used by the Maasai
The Dream by Elkana Ongesa.
Dreaming about the end of apartheid.
The point of 0 km
Sure, the gallery is small and lacking in refinement, and the fee of Ksh 1000 is a bit high, it is a good way for me to see African artifacts first hand.

Afterwards when I was waiting for the car to fetch me, I talked to the young manager of the gallery and a woman who invited me to visit her upcountry mango groves. "Come with me", she said, "You will taste wild mangoes that are so sweet that you will never forget the taste.It's only an hour's drive from Nairobi". She talked about her tribe the Kikuyu: "That's where my home is". The Kenyans are openly inquisitive: where do I come from, why do I have an English accent, what am I doing at Nairobi, do I have children, do I like Kenya, and I find them delightful.

Monday, 26 January 2015

The White Stuff - Stockholm

It was almost a shock to see so much snow at Stockholm. As soon as the snow turned into ice, the pavements were almost like ice rinks, making movement treacherous. The locals are so used to the snow, none of them seemed too concerned. Cars were driven at low speed, and drivers generally stopped to allow pedestrians to pass first. 

Snow scene at Kista, Stockholm
Kista Science Park, Stockholm
Stockholm City Centre
The White Stuff


Friday, 2 January 2015

New Year 2015


Weary traveller
Glow of everlasting fire
Each day a new joy.

More haiku this year, and I will learn from the masters in my spare time.

Sunday, 14 December 2014

São Paulo Series - Mosteiro de São Bento

This is my last weekend at São Paulo.

Today I went into the old town to hear Mass at Mosteiro de São Bento, where the Benedictine monks chant at the Mass. High expectations but low fulfilment. There were only three monks chanting with organ music backing, but the church was packed with churchgoers and tourists, standing room only. It was like a circus and it lacked the dignity and solemness of the occasion. I observed some people arriving in shorts and flip flops as if they were going to the beach.

Today the Bishop was in attendance. He was at the end of the procession that walked up to the altar at the beginning of the mass; he was a small man with a nice smile and he blessed everyone on his short trip to the altar. I don't remember such rituals when I was a young girl attending mass at Hong Kong.
Mosteiro de São Bento entrance

The basilica
The nave, before the crowd descended
 

São Paulo Series - Citdade Jardim

There are some high end shopping malls in São Paulo where all the names that need to be there are there. Citdade Jardim is no exception. Here, security guards with ear phones and walkie talkies lurk in every corner. But what I like about the place is the proliferation of greenery, the lack of foot traffic, and the quietness to hear my own foot steps. On a Saturday though I am not sure if that is good news to the retailers.


Citdade Jardim, Sao Paulo
The shopping mall is on 5 floors including the rooftop, plus two levels of underground car park. The restaurants on the 4th floor have open views to the surrounding areas. The one I visited was a subdued place where the diners were making conversations that did not invade other people's privacy. Also I noticed that no one socialising with his/her mobile phone.
Trees and shrubs in the attrium
Where is everybody?
The idealised female shapes for the beach
It was like half of Bond Street London under one roof. This was exactly the opposite of Morumbi Shopping Mall where the noise was defeaning and the display of tattoos was a bit overwhelming.

Monday, 8 December 2014

São Paulo Series - Here, there and somewhere

I've to admit that I have not explored much of São Paulo, partly due to security reasons, partly due to the hot weather, and partly due to a lack of interest. But the times that I ventured out of the hotel and had the camera with me, I saw a glimpse of the lives of people around me.
Chateau Margaux
The wealth of the residents in the area near the hotel is evident. Here, people live behind 2 to 3 tiers of security gates, with security guards patrolling day and night in their walkies talkies. Some of these security guards even wear a suit in the hot summer months. Some have fountains and carefully manicured lawns at the front, all have underground car parks that have two security gates to prevent tailgating, and some have brightly lit trees during Christmastime. Today, I saw a white Rolls Royce emerging from one of these condominiums. Premium cars are a rare sight in São Paulo probably because of security concerns. Next to the hotel is Edificio des Arts: one building called Monet and the other Rodin. In this photo, the grandiose complex is named Chateau Margaux - it is a statement of wealth.





A man mending wicker-backed chairs near the hotel. I was surprised to see this local enterprise and the fact that people in the area actually care to mend the chairs rather than buying new ones. These chairs are hardly antiques.
A store in Morumbi shopping centre selling bean bags and some cute stuffed neck support. I was tempted to buy one but then desisted as I would not like to care one of these bulky things back to UK.



View of Paulista from the hotel balcony. I like the balcony, a place to step out of the air conditioned room to check out the temperature and to enjoy the feel of an apartment. It's not much of a view but it's a view nevertheless.



 
The waiting room of my ophthalmologist - a medical captain who is full of joie de vivre, trained in Paris and combined treatment with a glorious sense of humour. The locals who have medical insurance don't have to pay. For a visitor like me, each consultation is 280 BRL plus prescription charges when buying the medication from a pharmacist.
 
 
The newly-opend TAM lounge at Guarulhos International Airport, Terminal 3. Previously there was only one Executive Lounge which was less than adequate. This new addition has made the wait more pleasant, with better selection of drinks and canapes.
 
 
Local guys practising ta-kwan-tao in slow motion at Ibirapeura Park. Sometimes the space is taken up by atheletes or other types of martial arts followers.
 
 
I post this photo because I found it so cute that two small dogs were being ferried in the pannier by their owners. Dogs at Sao Paulo are beautifully groomed. This pair surprisingly has no hair ornaments.
 
 
Ahhh, what a lovely way to relax.